J.M.W. Turner
English Romantic Painter, 1775-1851 landscape master landscape master .British painter and printmaker. He dominated British landscape painting throughout the first half of the 19th century. He established a reputation in the Royal Academy, London, first as a topographical watercolourist and then within a few years as a painter of Sublime and historical landscapes.

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J.M.W. Turner The Vale of Ashburnham oil painting


The Vale of Ashburnham
1816 Watercolour on paper.British Museum,London
Painting ID::  10436
J.M.W. Turner
The Vale of Ashburnham
1816 Watercolour on paper.British Museum,London
   
   
     

J.M.W. Turner Pendennis Castle Cornwall; Scene after a Wreck. oil painting


Pendennis Castle Cornwall; Scene after a Wreck.
1816 Watercolour on paper
Painting ID::  10437
J.M.W. Turner
Pendennis Castle Cornwall; Scene after a Wreck.
1816 Watercolour on paper
   
   
     

J.M.W. Turner The Decline of the Carthaginian Empire oil painting


The Decline of the Carthaginian Empire
1817Oil on canvas. Tate Gallery,London
Painting ID::  10438
J.M.W. Turner
The Decline of the Carthaginian Empire
1817Oil on canvas. Tate Gallery,London
   
   
     

J.M.W. Turner Rome, from the Vatican, Raffaelle Accompanied by La Fornarina, Preparing His Pictures for the Decora oil painting


Rome, from the Vatican, Raffaelle Accompanied by La Fornarina, Preparing His Pictures for the Decora
1820. Oil on canvas. Tate Gallery, London
Painting ID::  10439
J.M.W. Turner
Rome, from the Vatican, Raffaelle Accompanied by La Fornarina, Preparing His Pictures for the Decora
1820. Oil on canvas. Tate Gallery, London
   
   
     

J.M.W. Turner Childe Harold's Pilgrimage oil painting


Childe Harold's Pilgrimage
1823 Oil on canvas. Tate Gallery, London
Painting ID::  10440
J.M.W. Turner
Childe Harold's Pilgrimage
1823 Oil on canvas. Tate Gallery, London
   
   
     

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     J.M.W. Turner
     English Romantic Painter, 1775-1851 landscape master landscape master .British painter and printmaker. He dominated British landscape painting throughout the first half of the 19th century. He established a reputation in the Royal Academy, London, first as a topographical watercolourist and then within a few years as a painter of Sublime and historical landscapes.

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